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Auto, Life, Home, or Health. Our current users save up to 40%! Start saving today. www.Insure.com Beneath the Planet of the Apes (1970) Talking simians, mute humans, telepathic mutants. What more can you ask for in a sequel? Some action, maybe? Beneath the Planet of the Apes starts out right where the Planet of the Apes leaves off. Literally. Taylor (Charlton Heston) and Nova (Linda Harrison) have discovered that, on the Ape Planet, Ape has evolved from Man. But even more disturbing Taylor learns that the planet that he's crash landed on is actually the planet Earth some 2000 years into the future. Damn! Now he's doomed to endlessly wander this backwards world with his new mate (well, maybe that wouldn't be such a bad thing!).
Meanwhile, elsewhere in the Forbidden Zone, another spaceship, on a search-and-rescue mission for the first ship, crashes into the desert. Brent (James Franciscus), the only surviving astronaut, is now abandoned on a strange planet. But, in one of the greatest coincidental strokes of luck ever placed in a film, Brent runs into Nova who just so happens to have Taylor's dog tags around her neck. What a break! She's mute, so she can't clearly explain that Taylor has disappeared into some mirage-like wall of rocks, so she leads Brent to the Ape city to meet Zira (Kim Hunter reprising her role) and Cornelieus (David Watson took on the scientist chimp role that Roddy McDowall originated; McDowall returned for the remaining sequels though). In Ape city, Brent has to rehash all the wide-eyed shock all over again, just as Taylor did when he first discovered the talking Apes.
Ape city is in now in the midst of upheaval. General Ursus (James Gregory) is set to invade the Forbidden Zone and use it as a means to plant needed crop. This causes great tensions and protesting amongst the Chimpanzees.
After they are discovered, Brent and Nova must escape the militant Apes. They find safe harbor in an underground cave that the Apes seem to be unaware of. To Brent's amazement he finds that he has found the very subway station that he visited as a boy in New York City. Further into the caves Brent and Nova stumble upon a lair of mutant humans who worship "the Bomb", and who can control others with their mind-bending telepathic powers.
These mind-bending mutants turn out to be quite the sadistic little bastards. First they psych Brent into strangling Nova to within an inch of her life. Then they pit him against Taylor, who they've held captive, in a one on one battle that is very reminiscent of the cat-fight between Capt. Kirk and Spock in one of the Star Trek episodes.
Meanwhile, while the mutant race of mind-warpers are playing games with the astronauts, the Apes have invaded their lair, and a deadly battle is played out between man and beast. The only way out of this mad house is for Taylor to trip the nuclear weapon, and destroy the backward planet of the Apes.
This is a classic example of one of those movies that they tell you to "stick with it." The first half is pretty much a do-over of the first Ape movie, with Brent aping (sorry) Taylor's surprise and shock at seeing the Apes speaking and stuff. But, once they get into the underground lair the action start to pick up, although not so spectacularly.
If the only time I had seen this movie was that time I watched it at the local drive-in when I was a kid, I'd probably say it was the best thing ever. If only that were the case. Like many sequels Beneath the Planet of the Apes simply had too much to live up to. The writer and director (Paul Dehn and Ted Post consecutively) fair well in their efforts, but seemed to have taken the task a bit too seriously. Where the first Apes film worked on multi-levels with satire, action, and drama, the sequel side-steps the funny bone and aims right for the cerebral cortex. Not that there's anything wrong with a cerebral science fiction movie. But this ain't no 2001 A Space Odyssey, it's an adventure movie. You need some fluff with the stuff.
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